Live at the Belly Up
Back to the Garden
Season 10 Episode 4 | 56m 47sVideo has Closed Captions
Back To The Garden puts on a theatrical experience that recreates Monterey Pop and Woodstock.
In tonight’s episode, Back To The Garden puts on a theatrical experience that recreates the Monterey Pop and Woodstock experience through storytelling, highlighting the festivals, legendary artists, and the cultural backdrop of the 1960s.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
Live at the Belly Up is a local public television program presented by KPBS
Live at the Belly Up
Back to the Garden
Season 10 Episode 4 | 56m 47sVideo has Closed Captions
In tonight’s episode, Back To The Garden puts on a theatrical experience that recreates the Monterey Pop and Woodstock experience through storytelling, highlighting the festivals, legendary artists, and the cultural backdrop of the 1960s.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorship♪♪♪ male announcer: From beautiful Solana Beach, this is San Diego's musical showcase, "Live at The Belly Up."
In tonight's episode, Back to the Garden puts on a theatrical experience that recreates the Monterey Pop and Woodstock experience through storytelling.
Robert John Hughes: Everybody loves a good rock song, but what if there was an amazing story that went along with that rock song?
What would happen if we put them together in a story concert?
That's what we're doing tonight.
♪♪♪ ♪ Something happening here.
♪ ♪ What it is ain't exactly clear.
♪ There's a man with a gun over there.
♪ ♪ Telling me I got to beware.
♪ ♪ I think it's time we stop.
♪ ♪ Hey, what's that sound?
♪ ♪ Everybody look, what's going down?
♪ ♪♪♪ ♪ Battle lines is being drawn.
♪ ♪ Nobody's right if everybody's wrong.
♪ ♪ Young people speaking their minds.
♪ ♪ Getting so much resistance from behind.
♪ ♪ It's time we stop.
♪ ♪ Hey, what's that sound?
♪ ♪ Everybody look, what's going down?
♪ ♪♪♪ ♪♪♪ ♪ What a field day for the heat.
♪ ♪ A thousand people in the street.
♪ ♪ Singing songs and a-carrying signs.
♪ ♪ Mostly say, "Hooray for our side."
♪ ♪ I think it's time we stop.
♪ ♪ Hey, what's that sound?
♪ ♪ Everybody look, what's going down?
♪ ♪♪♪ ♪♪♪ ♪ Paranoia strikes deep.
♪ ♪ Into your life it will creep.
♪ ♪ It starts when you're always afraid.
♪ ♪ Step out of line, the man comes and takes you away.
♪ ♪ It's time we stop.
♪ ♪ Hey, what's that sound?
♪ ♪ Everybody look, what's going-- ♪ ♪ You gotta stop.
Hey, what's that sound?
♪ ♪ Everybody look, what's going down?
♪ ♪ You gotta stop.
Hey, what's that sound?
♪ ♪ Everybody look, what's going down?
♪ ♪ You gotta stop.
Hey, what's that sound?
♪ ♪ Everybody look, what's going down?
♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience cheering] Robert: Monterey Pop was a place where you could try out ideas.
On Saturday, June 17th, 1967, a 20-year-old woman from Laurel Canyon in Los Angeles, a singer-songwriter, took the big stage at Monterey Pop.
She was awkward, inexperienced.
It was only her second major live appearance.
No one knew that in the years to come her songwriting would strongly influence people like Elton John, Joni Mitchell, and Jackson Browne.
The Back to the Garden band with our friend Lauren remembers the immortal music of Laura Nyro.
♪ Eli is coming.
♪ ♪ Eli is coming.
♪ ♪ Oh, you better hide your heart.
♪ ♪ Your lovin' heart.
♪ ♪ Eli's a-comin' and the cards say.
♪ ♪ A broken heart.
♪ ♪ Eli's comin'.
♪ ♪ Hide your heart, girl.
♪ ♪ Eli's comin'.
♪ ♪ Hide your heart, girl.
♪ ♪ Girl, Eli's a-comin'.
♪ ♪ You better hide, girl.
♪ ♪ Eli's a comin'.
♪ ♪ You better hide your heart.
♪ ♪ Eli's comin'.
♪ ♪ Hide your heart, girl.
♪ ♪ You better better hide your heart.
♪ ♪ Eli's comin'.
Better walk, walk.
♪ ♪ But you'll never get away.
♪ ♪ No, you'll never get away.
♪ ♪ From the burn and the heartache.
♪ ♪ I walked to Apollo Apollo Bay.
♪ ♪ Everywhere I go.
♪ ♪ Eli's a comin'.
♪ ♪ Eli's a comin'.
♪ ♪ Eli's a comin'.
♪ ♪ And he's comin' to get you.
♪ ♪ Get down on your knees.
♪ ♪ Comin', hide it, hide it, hide it, girl.
♪ ♪ Eli's a comin'.
You better hide, girl.
♪ ♪ Eli's a comin'.
You better hide your heart.
♪ ♪ Eli's comin'.
♪ ♪ Hide your heart, girl.
♪ ♪ Girl, you better hide your heart.
♪ ♪ Eli's comin'.
♪ ♪ Better walk, walk.
But you never get away.
♪ ♪ No, you never get away from the burn and the heartache.
♪ ♪ I walked to Apollo Apollo Bay.
♪ ♪ Everywhere I go, oh.
♪ ♪ Eli's a comin'.
♪ ♪ Eli's a comin'.
♪ ♪ Eli's a comin'.
♪ ♪ And he's comin' to get you.
♪ ♪ Get down on your knees.
♪ ♪ Get down on your knees.
♪ ♪ No, no.
No, no.
♪ ♪ Mama said no, no.
♪ ♪ No, no.
No, no.
♪ ♪ You can't hide it.
She can't hide it.
♪ ♪ You've got to hide it.
♪ ♪ Somebody gotta.
♪ ♪ You've gotta.
♪ ♪ Oh no, whoa, no, no.
♪ ♪ She said, hide it.
♪ ♪ You've got to.
♪ ♪ Somebody.
♪ ♪ Oh no, oh my.
♪ ♪ Oh.
♪ ♪ Eli is coming.
♪♪ [audience cheering] Robert: Lauren Leigh.
Marc Intravaia: Our band is and isn't a tribute band.
We play themed story concerts and we have a storyteller who's gonna speak.
We play shows that are tributes to the music of Woodstock or Monterey Pop: The Beatles; Crosby, Stills, Nash and Young; Eric Clapton.
We aren't a costumed tribute band.
We don't try and look like anybody except ourselves.
Our goal is to give everybody an experience that brings back a lot of memories and we deliver the music in a as--we try to deliver the music in a very authentic way, the way that the artists originally cut it.
♪♪♪ ♪♪♪ ♪♪♪ ♪ Oh, she may be weary.
♪ ♪ Young girls, they do get wearied.
♪ ♪ Wearing that same old shaggy dress.
♪ ♪ Yeah, yeah.
♪ ♪ When she gets weary.
♪ ♪ Try a little tenderness.
♪ ♪♪♪ ♪ You know she's waiting.
♪ ♪ Just anticipating.
♪ ♪ Things that she'll never, never, never possess.
♪ ♪ Yeah.
♪ ♪ While she's there waiting, without them.
♪ ♪ Try a little tenderness.
♪ ♪ Something you gotta do.
♪ ♪♪♪ ♪ It's not just sentimental, oh, no, no.
♪ ♪ She has her grief care.
♪ ♪ But the soft words that are spoken so gentle.
♪ ♪ Yeah, yeah.
♪ ♪ It makes it easier, easier to bear.
♪ ♪ You won't regret it, no, no.
♪ ♪ Some girls, they don't forget it.
♪ ♪ Love is their whole happiness.
♪ ♪ Oh, it's all so easy.
♪ ♪ All you gotta do is try a little tenderness, yeah.
♪ ♪ All right now.
♪ ♪ You've got to love her, squeeze her.
♪ ♪ Don't you tease her.
Got to, hey.
♪ ♪ Got to, got to, got to try a little tenderness.
♪ ♪ Oh yeah, oh yeah, yeah.
♪ ♪ You've got to love her-- ♪ ♪ You've got to, got to, got to.
♪ ♪ Hey, hey, try a little.
♪ ♪ It's all you've got to do, yeah.
♪ ♪ Love her, squeeze her, don't you tease her.
♪ ♪ Got to, got to, got to, na, na, na.
♪ ♪ Hey, try a little.
♪ ♪ Ooh yeah, ah yeah.
♪ ♪ You've got to love her, squeeze her.
♪ ♪ Wow, don't ever leave her.
♪ ♪ Got to, got to, hey, hey.
♪ ♪ Try a little.
♪ ♪ Oh, yeah, yeah, yeah.
♪ Larry Grano: Let's go with this one.
♪ Love her, squeeze her, don't tease her.
♪ ♪ Got to, got to, got to, got to--no.
♪ ♪ All right, no.
♪ ♪ Oh no.
♪ ♪ No, no.
♪ Larry: One more time.
♪ Yeah, yeah, yeah, yeah, yeah.
♪ ♪ Try a little tenderness, yeah.
♪♪ ♪♪♪ Larry: Wow!
[audience cheering] ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Sitting down by my window.
♪ ♪ Just looking out at the rain.
♪ ♪ Oh, oh.
♪ ♪ Sitting down by my window.
♪ ♪ Just looking out at the rain.
♪ ♪♪♪ ♪ Someone came along.
Honey, grabbed a hold of me.
♪ ♪ And it felt like a ball and chain.
♪ ♪ Hey!
♪ ♪♪♪ ♪ And I said, oh, whoa, whoa, Honey, tell me why.
♪ ♪ Tell me why everything goes wrong.
♪ ♪ Oh, why it all goes wrong.
♪ ♪ Yeah.
♪ ♪ Oh no, so I say, oh, no, no, no.
♪ ♪ Hey, tell me why.
♪ ♪ Why does everything go wrong.
♪ ♪ Oh, why everything does wrong.
♪ ♪ Oh yeah.
♪ ♪ And I just wanna love you, love you, yeah.
♪ ♪ For so, for so long, yeah.
♪ ♪ Honey, yeah.
♪ ♪ And I said oh, whoa, no, no.
♪ ♪ It ain't fair.
♪ ♪ No, it ain't fair.
♪ ♪ What you do.
♪ ♪ No, it ain't fair.
♪ ♪ What you do, no, no.
♪ ♪ Oh, no.
♪ ♪ I said oh, whoa, no, no.
♪ ♪ Honey, it ain't fair.
♪ ♪ No, it ain't fair.
♪ ♪ I wanna teach you.
♪ ♪ Oh, Honey, it ain't fair what you do, no, baby.
♪ ♪ It's all gone wrong.
♪ ♪ Oh, and I just wanna love you, love you, yeah.
♪ ♪ That's all.
♪ ♪ That's all, that's all that I can do, yeah.
♪ ♪ All right!
♪ ♪ All right!
♪ ♪ Sitting down by my window.
♪ ♪ Just looking out at the rain.
♪ ♪ Oh, yeah.
♪ ♪ Sitting down by my window.
♪ ♪ Just looking out at the rain.
♪ ♪♪♪ ♪ Someone came along.
♪ ♪ Honey, grabbed a hold of me.
♪ ♪ And I felt like a ball and chain.
♪ ♪ Yeah!
Yeah!
♪ ♪ Yeah!
Oh.
♪ ♪ And I said, oh, whoa, no, no.
♪ ♪ Honey, this can't be.
♪ ♪ No, this can't be fair.
♪ ♪ No, it can't be-- ♪ ♪ And I said oh, whoa, no, no.
♪ ♪ Honey, this can't, no, this can't be fair.
♪ ♪ No, this can't be fair!
♪ ♪ Oh, no, no, oh.
♪ ♪ And I wish somebody would tell me for the last time.
♪ ♪ Oh, tell me why.
♪ ♪ Oh, tell me why.
♪ ♪ Oh, tell me why love is a lie.
♪ ♪ Oh, it's like a ball and.
♪ ♪ Chain.
♪♪ ♪♪♪ ♪♪♪ [audience applauding] ♪♪♪ ♪ There's a man who leads a life of danger.
♪ ♪ To everyone he meets he stays a stranger.
♪ ♪ With every move he makes another chance he takes.
♪ ♪ Odds are you won't live to see tomorrow.
♪ ♪ Secret agent man.
♪ ♪ Secret agent man.
♪ ♪ They've given you a number.
♪ ♪ And taken away your name.
♪ ♪♪♪ ♪ Beware of pretty faces that you find.
♪ ♪ A pretty face can hide an evil mind.
♪ ♪ Ah, be careful what you say.
♪ ♪ You give yourself away.
♪ ♪ Odds are you won't live to see tomorrow.
♪ ♪ Secret agent man.
♪ ♪ Secret agent man.
♪ ♪ They've given you a number.
♪ ♪ And they've taken away your name.
♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Secret agent man.
♪ ♪ Secret agent man.
♪ ♪ They've given you a number.
♪ ♪ And they've taken away your name.
♪ ♪♪♪ ♪ Swinging on the riviera, one day.
♪ ♪ And then laying in a Bombay alley next day.
♪ ♪ Ah, you let the wrong word slip.
♪ ♪ By kissing persuasive lips.
♪ ♪ Odds are you won't live to see tomorrow.
♪ ♪ Secret agent man.
♪ ♪ Secret agent man.
♪ ♪ They've given you a number.
♪ ♪ And taken away your name.
♪ ♪♪♪ ♪♪♪ ♪ Secret agent man.
♪♪ ♪♪♪ [audience applauding] male: That's Larry Grano.
Robert: My goal as the storyteller is to tell the audience something that they didn't know.
They know these songs, they've lived with these songs, they grew up with these songs.
These songs are loaded with emotion and they bring back feelings and experiences and so on.
And so what I wanna do is I wanna give them just a little piece of information that connects them to the song in a different way.
Robert: Monterey Pop was a lot of things, but it was definitely not your big sister's folk music festival.
Looking back, as Marc told you, it actually was designed to be the kickoff party for the Summer of Love in 1967, and it was billed as a counterculture celebration, but you know, the culture had already changed and that's why so many of the artists that played at Monterey Pop actually had big hit songs on Top 40 radio.
So really, really, it was the coming out party for the baby boom generation and you know who you are.
And we wanted a different kind of culture provided, provided that it came with a rock and roll soundtrack.
♪♪♪ ♪♪♪ ♪♪♪ ♪ One pill makes you larger.
♪ ♪ And one pill makes you small.
♪ ♪ And the one that Mother gives you.
♪ ♪ Don't do anything at all.
♪ ♪ Go ask Alice.
♪ ♪ When she's 10 feet tall.
♪ ♪ And if you go chasing rabbits.
♪ ♪ And you know you're going to fall.
♪ ♪ Tell 'em a hookah-smoking caterpillar.
♪ ♪ Has given you the call.
♪ ♪ Call Alice.
♪ ♪ When she was just small.
♪ ♪ When the men on the chessboard.
♪ ♪ Get up and tell you where to go.
♪ ♪ And you've just had some kind of mushroom.
♪ ♪ And your mind is moving low.
♪ ♪ Go ask Alice.
♪ ♪ I think she'll know.
♪ ♪ When logic and proportion.
♪ ♪ Have fallen sloppy dead.
♪ ♪ And the White Knight is talking backwards.
♪ ♪ And the Red Queen's off with her head.
♪ ♪ Remember what the dormouse said.
♪ ♪ Feed your head.
♪ ♪ Feed your head.
♪♪ [audience applauding] Robert: Woodstock happened 55 years ago because, true, because of one guy, a 24-year-old kid named John Roberts.
John inherited a lot of money because his grandfather started the company that made this: Poligrip denture adhesive.
It's true.
Those 3 days in August of 1969 defined a generation and captured its soul.
Woodstock was a real-life, real-time demonstration of the power of peace, love, and music.
♪♪♪ ♪♪♪ ♪♪♪ ♪ Going up the country.
♪ ♪ Babe, don't you wanna go?
♪ ♪ Going up the country.
♪ ♪ Babe, don't you wanna go?
♪ ♪ I'm going to some place.
♪ ♪ That I've never been before.
♪ ♪ Well, I'm going, I'm going.
♪ ♪ Where the water tastes like wine.
♪ ♪ I'm going, I'm going.
♪ ♪ Where the water tastes like wine.
♪ ♪ You can jump in the water.
♪ ♪ And you stay drunk all the time.
♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Gonna leave this city, got to get away.
♪ ♪ Gonna leave this city, I've got to get away.
♪ ♪ All this fussing and fighting.
♪ ♪ Man, you know that I sure can't stay.
♪ ♪ Now, baby, pack your leaving trunk.
♪ ♪ You know we're gonna leave today.
♪ ♪ Just exactly where we're going I cannot say, but.
♪ ♪ We might even leave the USA.
♪ ♪ Yeah, it's a brand new game.
♪ ♪ Man, and I just don't wanna play.
♪ ♪♪♪ ♪♪♪ ♪ No use in you running or screaming and crying.
♪ ♪ 'Cause you've got a home, man.
♪ ♪ Long as I got mine.
♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience cheering] Robert: John Rekevics.
Marc: This band came from--it's an extension of the Eve Selis.
Band which started in 1991.
And this current lineup has been together about 25 years.
We made about a dozen CDs with Eve over the years and when she got pregnant around 2007 we were out of work for a while so we decided let's just do something on the side that's fun and let's play music that we love.
♪♪♪ ♪ What goes up must come down.
♪ ♪ Spinning wheel got to go 'round.
♪ ♪ Talking 'bout your troubles it's a crying sin.
♪ ♪ Ride a painted pony, let the spinning wheel spin.
♪ ♪ You got no money and you got no home.
♪ ♪ Spinning wheel all alone.
♪ ♪ Talking 'bout your troubles and you, you never learn.
♪ ♪ Ride a painted pony, let the spinning wheel turn.
♪ ♪ Did you find the directing sign on the.
♪ ♪ Straight and narrow highway?
♪ ♪ Would you mind a reflecting sign.
♪ ♪ Just let it shine within your mind.
♪ ♪ And show you the colors that are real.
♪ ♪ And show you the colors that are real.
♪ ♪♪♪ ♪♪♪ ♪ Someone is waiting just for you.
♪ ♪ Spinning wheel, spinning true.
♪ ♪ Drop all your troubles by the riverside.
♪ ♪ Catch a painted pony on the spinning wheel ride.
♪ Larry: And now, ladies and gentlemen, Brad Steinwehe will paint the metal with his mouth.
Ha, ha, ha, ho.
♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Someone is waiting just for you.
♪ ♪ Spinning wheel, spinning true.
♪ ♪ Drop all your troubles by the riverside.
♪ ♪ Ride a painted pony.
♪ ♪ And let the spinning wheel fly high, high, high.
♪ ♪♪♪ ♪ High, high, high.
♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience cheering] ♪♪♪ ♪♪♪ ♪ Sing, come on, come on, come on, come on.
♪ ♪ Didn't I make you feel.
♪ ♪ Like you were the only man?
♪ ♪ Yeah, didn't I give you nearly everything.
♪ ♪ That a woman possibly can?
♪ ♪ Honey, you know I did.
♪ ♪ Each time I tell myself that I-- ♪ ♪ I think I've had enough.
♪ ♪ Well, I'm gonna show you, baby, ♪ ♪ that a woman can be tough.
♪ ♪ I needed you come on, come on, ♪ ♪ come on, come on and take it.
♪ ♪ Take another little piece of my heart now, baby.
♪ ♪ Oh, oh, break it.
♪ ♪ Break another little bit of my heart now, darling, yeah.
♪ ♪ Oh, oh, have it.
♪ ♪ Have another little piece of my heart now, baby.
♪ ♪ You know you got it.
♪ ♪ Shout if it makes you feel good, oh.
♪ ♪♪♪ ♪ You're out on the street looking good.
♪ ♪ And, honey, deep down in your heart, ♪ ♪ well, you know that it ain't right.
♪ ♪ Never, never, never, never hear me ♪ ♪ when I cry, oh, late at night.
♪ ♪ And I cry all the time.
♪ ♪ Each time I tell myself that I-- ♪ ♪ I can't stand the pain.
♪ ♪ When you hold me in your arms.
♪ ♪ I sing it once again.
♪ ♪ Baby, just come on, come on, come on, ♪ ♪ come on and take it.
♪ ♪ Take another little piece of my heart now, baby.
♪ ♪ Oh, oh, break it.
♪ ♪ Break another little bit of my heart now, darling, yeah.
♪ ♪ Oh, oh, have it.
♪ ♪ Have another little piece of my heart now, baby.
♪ ♪ You know you got it.
♪ ♪ Shout if it makes you feel good.
♪ ♪ Oh, yes indeed.
♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ I said come on, come on, come on.
♪ ♪ Come on and take it.
♪ ♪ Take another little piece of my heart now, baby.
♪ ♪ Oh, oh, break it.
♪ ♪ Break another little bit of my heart now, darling, yeah.
♪ ♪ Oh, oh, have it.
♪ ♪ Have another little piece of my heart now, baby.
♪ ♪ You know you got it, wahh!
♪ ♪ Take it, piece of my heart now, baby.
♪ ♪ Oh, oh, break it.
♪ ♪ Oh, break another little bit of my heart now, darling, ♪ ♪ yeah, yeah, yeah.
♪ ♪ Oh, oh, have it.
♪ ♪ Have another little piece of my heart now, baby.
♪ ♪ You know you got it.
♪ ♪ Shout if it makes you feel good.
♪♪ ♪♪♪ ♪♪♪ [audience cheering] Marc: Lauren Leigh.
♪♪♪ ♪♪♪ ♪ Helplessly hoping her harlequin hovers nearby.
♪ ♪ Waiting a word.
♪ ♪ Gasping at glimpses of gentle true spirit he runs.
♪ ♪ Wishing he could fly high.
♪ ♪ Only to trip at the sound of goodbye.
♪ ♪ Wordlessly watching he waits by the window and wonders.
♪ ♪ At the empty place inside.
♪ ♪ Heartlessly helping himself to her bad dreams he worries.
♪ ♪ Did he hear a good-bye?
♪ ♪ Or even hello?
♪ ♪ They are one person.
♪ ♪ They are two alone.
♪ ♪ They are three together.
♪ ♪ They are for each other.
♪ ♪♪♪ ♪ Stand by the stairway.
♪ ♪ You'll see something certain to tell you.
♪ ♪ Confusion has its cost.
♪ ♪ Love isn't lying.
♪ ♪ It's loose in a lady who lingers.
♪ ♪ Saying she is lost.
♪ ♪ And choking on hello.
♪ ♪ They are one person.
♪ ♪ They are two alone.
♪ ♪ They are three together.
♪ ♪ They are for each other.
♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ They are one person.
♪ ♪ They are two alone.
♪ ♪ They are three together.
♪ ♪ They are for each other.
♪♪ ♪♪♪ [audience cheering] Marc: Kate Sullivan.
♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ What would you do if I sang out of tune?
♪ ♪ Would you stand up and walk out on me?
♪ ♪ Lend me your ears and I'll sing you a song.
♪ ♪ I'll try not to sing out of key.
♪ ♪ Oh, baby, I get by with a little help from my friends.
♪ ♪ All I need is my buddy.
♪ ♪ I get by with a little help from my friends.
♪ ♪ You know I'm gonna try with a little help from my friends.
♪ ♪ Yeah, yeah, yeah.
♪ ♪ Whoo.
♪ ♪ What do I do when my love is away?
♪ ♪ Does it worry you to be alone?
♪ ♪ No, no.
♪ ♪ How do I feel at the end of the day?
♪ ♪ Are you sad because you're on your own?
♪ ♪ No, 'cause I got by with a little help from my friends.
♪ ♪ That's all I need, yeah.
♪ ♪ Try with a little help from my friends.
♪ ♪ I'm talking about my friends.
♪ ♪ Try with a little help from my friends.
♪ ♪ Ooh, I'm gonna try-- ♪ ♪ Ooh.
♪ ♪♪♪ ♪ Do you need anybody?
♪ ♪ I need someone to love.
♪ ♪ Could it be anybody?
♪ ♪ All I need is someone somewhere.
♪ ♪ Oh, yeah, yeah.
♪ ♪ Ah, yeah.
♪ ♪ By with a little help from my friends.
♪ ♪ That's all I need, yeah, yeah.
♪ ♪ By with a little help from my friends.
♪ ♪ No, I'm gonna try, you know I'm gonna get high.
♪ ♪ By with a little help from my friends.
♪ ♪ Whoo.
♪ ♪ Would you believe in a love at first sight?
♪ ♪ Certain that it happens all the time.
♪ ♪ What do you see when you turn out the lights?
♪ ♪ I don't know but, I don't know but, ♪ ♪ God, it sure feels like mine.
♪ ♪ By with a little help from my friends.
♪ ♪ Yeah.
♪ ♪ By with a little help from my friends.
♪ ♪ Oh yeah, yeah.
♪ ♪ By with a little help from my friends.
♪ ♪ That's all I need.
♪ ♪ Ooh.
♪ Larry: Come on.
♪ Could it be anybody?
♪ ♪ Oh, yeah.
♪ ♪ Yeah, yeah, yeah.
♪ ♪ Could it be anybody?
♪ ♪ All I need is someone somewhere.
♪ ♪ That's all I need.
♪ ♪ Ooh.
♪ ♪ By with a little help from my friends.
♪ ♪ That's all I need, yeah.
♪ ♪ By with a little help from my friends.
♪ ♪ I'm gonna get by, yeah.
♪ ♪ By with a little help from my friends.
♪ ♪ Jimmy's my friend, yeah.
♪ ♪ Ricky's my friend, yeah.
♪ ♪ Bobby's my friend, yeah.
♪ ♪ Shay Ron is my friend.
♪ ♪ This guy right here, Marc, is my friend.
♪ ♪ Lauren Leigh is my friend.
♪ ♪ Brad, Jerry, John, John, ♪ ♪ my friend, yeah, yeah.
♪ ♪ Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
♪ ♪ All right, all right, all right, all right.
♪ ♪ All right, all right, all right, all right.
♪ ♪ All right, all right, all right, all right.
♪ ♪ Oh, yeah.
♪ ♪ Come on, Bobby.
♪ ♪♪♪ ♪ Oh, yeah, yeah.
♪ ♪♪♪ ♪♪♪ ♪ With my friend, yeah, yeah.
♪♪ ♪♪♪ ♪♪♪ [audience cheering] Larry: I've got new friends here, all right.
See you at the Christmas party.
male: One, two, three, go!
♪♪♪ ♪ Hey, hey, hey, hey.
♪ ♪ Feeling's getting stronger.
♪ ♪ Music's getting longer, too.
♪ ♪ Music is a-flashing me.
♪ ♪ I wanna, I wanna, I wanna take you higher.
♪ ♪ Wanna take you higher.
♪ ♪ Baby, baby, let me light my fire, whoo.
♪ ♪ Wanna take you higher.
♪ both: Boom cheka-leka-leka, boom cheka-leka-boom.
♪♪♪ ♪ Hey, hey, hey, hey.
♪ ♪ Feeling nitty gritty, yeah.
♪ ♪ Sound is in your city, too.
♪ ♪ Music's still a-flashing me.
♪ ♪ Don't ya, don't ya, don't ya wanna get higher?
♪ ♪ Don't ya wanna get higher?
♪ ♪ Baby, baby, let me light my fire, whoo.
♪ ♪ Higher, come on and get it now.
♪ both: Boom cheka-leka-leka, boom cheka-leka-boom.
♪♪♪ ♪ Hey, hey, hey, hey.
♪ Larry: We'd like to feature the Back to the Garden horn section.
Let me introduce you.
Thank you, Marc.
Ah, the T-bone, they call him The Bone.
Leave him alone.
Mr. Kevin Esposito.
♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ male: Yeah!
Larry: There's only one way, and that's the "Steinwehe."
Brad Steinwehe!
♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ male: Yeah!
Larry: You know him.
You love him.
He plays underneath the Grinch every Christmas.
We got him tonight and that's all right.
Ladies and gentlemen, on the sexy saxophone, John Rekevics, come out.
♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience cheering] Larry: The Back to the Garden horn section.
both: Boom cheka-leka-leka, boom cheka-leka-boom.
♪♪♪ ♪ Hey, hey, hey, hey.
♪ ♪ Feeling that should make you ooh, ooh.
♪ ♪ Stuff that you would never dream, ooh.
♪ ♪ Music's still a-flashing me.
♪ ♪ Take your places.
♪ ♪ I wanna take you higher.
♪ ♪ On a drum roll, higher.
♪ ♪ Baby, baby, let me light my fire, whoo.
♪ ♪ Don't you wanna go higher?
♪ ♪ Check it, here we go.
♪♪ both: Boom cheka-leka-leka, boom cheka-leka-boom.
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