♪♪♪ ♪♪♪ Mireya Ramos: The idea was sparked by my own experience playing Mariachi in New York city.

I saw myself being one of the only female-playing mariachi in that scene for a long, long time.

And that's why I felt like the need to create a group and a space for women to come together, create together.

Prior to Flor de Toloache I had also met Shae Fiol which is the cofounder of Flor de Toloache.

And we just clicked.

Shae Fiol: I was pretty much done with producing my first album, my debut solo album.

And right as I was finishing it up, she was like hey I'm going to start an all women mariachi, do you want to be part of it?

And I was like, well I think so.

I mean, I've never played Mariachi, I didn't grow up listening to Mariachi.

Mireya: She was totally down.

She had never played mariachi before.

But she was down to learn.

We're going to be the first all-female mariachi in New York City if we achieve to create this group.

[audience applauding] Mireya: Buenas noches, good evening everyone.

You ready for a New York style Mariachi experience?

Alright.

♪♪♪ ♪ Como te atreves.

♪ ♪ Presumir que me conoces.

♪ ♪ Lo veo en tus ojos.

♪ ♪ Como me descoces.

♪ ♪ Un saludo y adiós.

♪ ♪ Disque ya lo sabes todo.

♪ ♪ De quien soy yo, una mujer.

♪ ♪ Una marioneta.

♪ ♪ I see it in your eyes.

♪ ♪ As I walk by with my guitar.

♪ ♪ You ask if I can really play.

♪ ♪ You don't get that I'm a star.

♪ ♪ So cruel with your power.

♪ ♪ Calling down from your tower.

♪ ♪ This bolero es para ti.

♪ ♪ You motherflower.

♪ ♪ Cariño.

♪ ♪ Corazoncito de melón.

♪ ♪ Perro inmundo sin canción.

♪ ♪ Que me quedas por los pies, cabrón.

♪ ♪ Come a little closer.

♪ ♪ And bow down to your queen.

♪ ♪ Watch me shred your tiny words.

♪ ♪ Along with all your hopes and dreams.

♪ ♪ This bolera es para ti you motherflower.

♪ ♪♪♪ ♪♪♪ ♪ Baby boy.

♪ ♪ Why are you crying out like that?

♪ ♪ What happened to your self respect.

♪ ♪ I bet you wished we never met.

♪ ♪ Papi ven.

♪ ♪ Amorcito corazón.

♪ ♪ Porque huyes como un ratón.

♪ ♪ Si aun no te he tirao la chancla, cabrón.

♪ ♪ Excuse me?

♪ ♪ You don't know me, I'm the sun, and I shine.

♪ ♪ And without my shine, you just wither away.

♪ ♪ What a delicate delicate delicado.

♪ ♪ Motherflower.

♪ [audience applauding] Shae: How's everybody feeling tonight?

Alright.

We are playing songs, those last two and the next few, the next one, is, they are off of our album Motherflower.

This is our fifth album, and it's the first time we release an album with all original music.

And what we hope to do as Flor de Toloache is to bring a women's perspective to the genre of Mariachi.

To tell our stories and through our songs.

This next one is called Esta Ranchera.

It's a ranchera, obviously.

And it is a song about heartbreak.

It's for all the women out there who've had their heart broken by these motherflowers.

[audience laughing] This is for you.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Quien diría que en ti encontraría ♪ ♪ tanta crueldad.

♪ ♪ Como si nada tu me engañabas ♪ ♪ y yo tonta enamorada ciega a la verdad ♪ ♪ You'd told me ♪ ♪ I was your one and only.

♪ ♪ I was truly believing.

♪ ♪ Then you betrayed me as if I were nothing.

♪ ♪ And yet I went on loving you like a fool.

♪ ♪ Eventually The slow ♪ ♪ and painful tares of your heart breaking.

♪ ♪ Will make you feel ♪ ♪ The torment I endured, being forsaken.

♪ ♪ May this melody haunt you ♪ ♪ each time you awaken.

♪ ♪ And never leave you, ♪ ♪ the way that you left me.

♪ ♪♪♪ ♪♪♪ ¡Ya tú veras!

La venganza tocará algún día a tu puerta.

¡Tu pagarás!

Por cada herida, lágrima y falsa promesa.

Ojalá esta canción tu sangre vierta.

Hasta que nunca puedas Volver a amar!

♪♪♪ ♪♪♪ Y cada vez que escuches esta ranchera.

You'll realize That you will never ever Love-- Again.

[audience applauding and cheering] Shae: Thank you.

Thank you very much.

This next song is called Ruiseñor.

We had it on our second album, Las Caras Lindas.

And Las Caras Lindas was the album in 2017 that won the Latin Grammy for best Ranchera Album.

And we were the first all-women group to win in that category.

And the song that we're playing next we wrote as sort of our anthem of encouragement.

We wrote it for us, for the little girl inside or for the litte girls out there that we want to uplift.

And this song is about a little bird who lands on the windowsill of a little girl who looks discouraged.

The bird invites her to sing, to sing her heart out and tells her to never let the world silence her voice.

This is Ruiseñor.

♪♪♪ ♪♪♪ ♪♪♪ ♪ Anoche un ruiseñor se asomo por mi ventana.

♪ ♪ Anoche un ruiseñor se asomo por mi ventana.

♪ ♪ Con su melodiosa voz, tiernamente, preguntaba.

♪ ♪ Con su melodiosa voz, tiernamente, preguntaba.

♪ ♪♪♪ ♪ Que sí podría acompañarme ♪ ♪ cantando hasta la mañana.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ El ruiseñor me comentó: "hoy te veo muy solita".

♪ ♪ El ruiseñor me comentó: "hoy te veo muy solita".

♪ ♪ "Una dama como usted debe estar acompañadita".

♪ ♪ "Una dama como usted debe estar acompañadita".

♪ ♪♪♪ ♪ "Canta con tu corazón ♪ ♪ y así hacemos armonía".

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ "Escucha bien mi consejo", ♪ ♪ me dijo el ruiseñor.

♪ ♪ "Escucha bien mi consejo", ♪ ♪ me dijo el ruiseñor.

♪ ♪ "Que nunca calle su voz, ♪ ♪ siempre canta con fervor".

♪ ♪ "Que nunca calle su voz, ♪ ♪ siempre canta con fervor".

♪ ♪ "Deja resonar tu canto".

♪ ♪ Tu canto ♪ ♪ De amor.

♪ Mireya: So we just started doing traditional Mariachi, the traditional repertoire, all the traditional parties, quinceañeras, weddings, la festividad de Guadalupe, you name it.

Serenatas everywhere, all over New York City.

And but always, we always had the intention of creating our own music and our own arrangements.

So we would take a lot of those classics and kind of flip them around and make our own arrangements and kind of have fun musically with them.

♪♪♪ ♪ Tú y yo.

♪ ♪ Compartíamos un mundo.

♪ ♪ Donde estabamos muy juntos, siempre.

♪ ♪ Pero presentí.

♪ ♪ Que comence yo a perderte.

♪ ♪ Se me iba mi confidente.

♪ ♪ Parece ser, un atardecer.

♪ ♪ Si este es el final.

♪ ♪ No lo quiero ver.

♪ ♪ No sigas, yo sé lo que me dices.

♪ ♪ No falta que me expliques ♪ ♪ es que duele si te vas.

♪ ♪ No sigas, con todo estoy de acuerdo.

♪ ♪ Si lloro no es por eso, es que duele la verdad.

♪ ♪♪♪ ♪♪♪ ♪ Nuestro amor.

♪ ♪ Peligrosa melodía.

♪ ♪ Que con dulce alevosía, hechiza.

♪ ♪ Parece ser, un atardecer.

♪ ♪ Si este es el final.

♪ ♪ No lo quiero ver.

♪ ♪ No sigas, yo sé lo que me dices.

♪ ♪ No falta que me expliques ♪ ♪ es que duele si te vas.

♪ ♪ No sigas, con todo estoy de acuerdo ♪ ♪ Si lloro no es por eso, ♪ ♪ es que duele la verdad.

♪ ♪ No sigamos viviendo esta falsedad.

♪ ♪♪♪ ♪♪♪ ♪ Parece ser, un atardecer.

♪ ♪ Si este es el final.

♪ ♪ No lo quiero ver.

♪ ♪ No sigas, yo sé lo que me dices.

♪ ♪ No falta que me expliques, ♪ ♪ es que duele si te vas.

♪ ♪ No sigas, con todo estoy de acuerdo.

♪ ♪ Si lloro no es por eso, ♪ ♪ es que duele la verdad.

♪ ♪ Ah-ah-ah-ah, ah-ah.

♪ ♪ La-la-la-la.

♪ ♪ Oh-oh-oh-oh, oh-oh-oh.

♪ ♪ Oh-oh-oh; oh-oh-oh.

♪ ♪ Oh-oh-oh-oh-oh.

♪ ♪ La-la-la-la.

♪ ♪ La-la-la-la.

♪ ♪ La-la-la-la.

♪ Shae: Can you guys sing with us too?

♪ La-la-la-la.

♪ Yeah, singers in the building.

♪ La-la-la-la.

♪ ♪ La-la-la-la.

♪ Keep singing.

♪ La-la-la-la.

♪ ♪ La-la-la-la.

♪ ♪ La-la-la-la.

♪ Alright.

Shae: I just really was captivated by everything that started to come with the beginnings of Flor de Toloache.

Everything from kind of rediscovering my Latina roots.

I didn't grow up speaking Spanish.

My dad's Cuban.

I love the idea of singing in Spanish.

I love the idea of learning music in Spanish, especially one that I would come, a genre that I would come to learn as like epic and not in America, not just Mexico but everywhere.

And that even my family the Cubans loved mariachi which I had no idea.

Mireya: Salud.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ She's running for the train ♪ ♪ creía no llegar.

♪ ♪ Respira profundo, ve las puertas cerrar.

♪ ♪ She plays her favorite song ♪ ♪ y empieza a bailar.

♪ ♪ Sin importarle quien la vaya a mirar.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Se pierde entre el mar de gente.

♪ ♪ Pero ella sigue su propia corriente.

♪ ♪ Estar solita no es a lonely destination.

♪ ♪ She wore her favorite dress ♪ ♪ just for this occasion.

♪ ♪ Vino a celebrarse mesa para uno.

♪ ♪ Brinda por ella, brinda sin pena y así decir: ♪ ♪ If you don't love yourself, ♪ ♪ you can't love no one else.

♪ ♪ She is the one that she came for, ♪ ♪ the one she's been waiting for.

♪ ♪ She is the one that she came for, ♪ ♪ the one she's been waiting for.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Estar solita no es a lonely destination.

♪ ♪ She wore her favorite dress just for this occasion.

♪ ♪ Vino a celebrarse mesa para uno.

♪ ♪ Brinda por ella, brinda sin pena y así decir: ♪ ♪ If you don't love yourself, ♪ ♪ you can't love no one else.

♪ ♪ She is the one that she came for, ♪ ♪ the one she's been waiting for.

♪ ♪ She is the one that she came for, ♪ ♪ the one she's been waiting for.

♪ ♪ She is the one that she came for, ♪ ♪ the one she's been waiting for.

♪ ♪♪♪ [audience applauding] [audience cheering] Mireya: Flor de Toloache's intention always has been to fuse together different genres, especially because that was what was more, the most genuine to us.

We are all mixed.

We all come from different backgrounds.

It's a very diverse group.

It's always been.

And our platform, our environment was New York City.

And so for us it was really organic to just absorb all these, all this diversity and then put it into this project, Flor de Toloache.

And it was really exciting.

Exciting beginnings where we would fuse together Rancheras with Blues and R&B and Jazz.

And we were just having so much fun creating different sounds and that it just became our thing to do that.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Hey everyone.

♪ ♪ I forgot about ♪ ♪ While I was living on the run.

♪ ♪ I've been chasing ♪ ♪ mirages in the desert sun.

♪ ♪ Wondering if I'll disappear.

♪ ♪ Drifting between hope and fear.

♪ ♪ Ohh ♪ ♪ Take me to love.

♪ ♪ Take me anywhere.

♪ ♪ There's no home for me here.

♪ ♪ Oh this lonely road.

♪ ♪ Of tumbleweeds and tears.

♪ ♪ Is the only road I know.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Ay, la soledad me vino a visitar.

♪ ♪ Prendiendo en mi, mil recuerdos.

♪ ♪ Todos momentos de felicidad.

♪ ♪ Que el sacrificio y el tiempo ♪ ♪ me obligaron a olvidar.

♪ ♪ A olvidar ♪ ♪ Déjame amar.

♪ ♪ Donde se que habrá ♪ ♪ quienes me entenderán.

♪ ♪ Llévame al mar.

♪ ♪ Donde pueda recordar.

♪ ♪ Déjame amar.

♪ ♪ Que no quiero perderme en la inmensidad ♪ ♪ sola y triste voy.

♪ ♪ Llorando momentos.

♪ ♪ Oh.

Oh.

♪ ♪ Oh.

Oh.

♪ ♪ Oh.

♪ ♪ Déjame amar.

♪ ♪ Donde se que habrá quienes me entenderán.

♪ ♪ Llévame al mar.

♪ ♪ Donde todas mis memorias ♪ ♪ no tendrán que navegar.

♪ [audience applauding] [cheering] Mireya: Ranchera is really the reason why I fell in love with music.

My father was a Mariachi singer, and he used to sing Rancheras.

And I would always dream of one day connecting with people through these songs.

And so, I wrote this song during one of our tours, one of our bandmates was going through a really bad heartbreak.

And for me personally there's nothing better than to sing a ranchera.

So I wrote the song inspired on that, and just in that pain.

It's kind of like a therapy session when you sing a ranchera.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Hoy estoy.

♪ ♪ Perdida en el recuerdo.

♪ ♪ Sufriendo hoy porque tú estás.

♪ ♪ Lejos de mí.

♪ ♪ No entiendo ya cuál fue la razón.

♪ ♪ De tu partir.

♪ ♪ Suplico al cielo.

♪ ♪ Poder vivir con esta historia gris.

♪ ♪ ¿Dónde estarás?

♪ ♪ ¿Dónde estarás?

♪ ♪ Regresa ya, regresa ya.

♪ ♪ No puedo más, no puedo más.

♪ ♪ Tanto esperar, tanto esperar.

♪ ♪ Incierto amor.

♪ ♪ Tanta ilusión.

♪ ♪ Dejaste en mí.

♪ ♪ Te llevas todo.

♪ ♪ Todito todo.

♪ ♪ De mi corazón.

♪ ♪ Ah, ja, ja-ay.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ ¿Dónde ♪ ♪ estarás?

♪ ♪ ¿Dónde estarás?

♪ ♪ Regresa ya, regresa ya.

♪ ♪ No puedo más, no puedo más.

♪ ♪ Tanto esperar, tanto esperar.

♪ ♪ Incierto amor.

♪ ♪ Tanta ilusión.

♪ ♪ Dejaste en mí.

♪ ♪ Te llevas ♪ ♪ todo.

♪ ♪ Todito todo.

♪ ♪ De mi cora-- ♪ zón.

[audience applauding] [cheering] Shae: it's very authentic to who we are, where we come from, our musical backgrounds, our cultural backgrounds.

And then you fuse that into the kind of mariachi that we do which is not a traditional mariachi.

So you're gonna get a mariachi infused with all of us.

With Mireya and I particularly, with where we come from, our love of all different kinds of music and styles of playing and singing.

So you'll get mariachi with all these other flavors in there.

A lot of younger generations see themselves in us.

We sing in English and Spanish.

We incorporate these other genres, and the younger generations have, in the states, have had more exposure to certain things.

So there's then, then they'll bring their mom or their grandma who loved traditional, and they will see a little bit of the traditional.

And it just really kind of creates a beautiful community and bridges culturally--and intergenerational.

And Mireya and I pride ourselves on our vocals and our harmonies so you'll just, you'll get all of that.

[audience applauding] [cheering] Shae: One, two, three, four.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Come as you are, as you were.

♪ ♪ As I want you to be.

♪ ♪ As a friend, as a friend.

♪ ♪ As an old enemy.

♪ ♪ Take your time, hurry up.

♪ ♪ Choice is yours, don't be late.

♪ ♪ Take a rest as a friend.

♪ ♪ As an old Memoria, ♪ ♪ memoria.

♪ ♪ Memoria, memoria.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Come doused in mud ♪ ♪ soaked in bleack ♪ ♪ As I want you to be.

♪ ♪ As a trend, as a friend.

♪ ♪ As an old memoria ♪ ♪ memoria ♪ ♪ memoria ♪ ♪ memoria ♪ ♪ And I swear that I don't have a gun ♪ ♪ No, I don't have a gun ♪ ♪ No, I don't have ♪ ♪ a gun ♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Hello, hello, hello, how low?

♪ ♪ Hello, hello, hello ♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Bésame.

♪ ♪ Bésame mucho.

♪ ♪ Como si fuera esta noche.

♪ ♪ La última vez.

♪ ♪ Bésame, bésame mucho.

♪ ♪ Que tengo miedo a perderte.

♪ ♪ Perderte después.

♪ ♪ Bésame.

♪ ♪ Bésame mucho.

♪ ♪ Love me forever ♪ ♪ And make all my dreams come true.

♪ ♪ Bésame, bésame mucho ♪ ♪ Que tengo miedo tenerte.

♪ ♪ And never see you ♪ ♪ again.

♪ [audience cheering] [applauding] Mireya: We take everything that you can think of from Reggae to Merengue, to Salsa, to Jazz, to Pop, to all in the Mariachi format.

And we love to showcase the versatility that the beautiful Mariachi instruments have.

I think that's something that a lot of Mariachis don't dare to do because they stay in the tradition which is also obviously very beautiful.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Blue skies smilin' at me.

♪ ♪ Nothin' but blue skies do I see, yeah.

♪ ♪ Bluebirds singin' a song.

♪ ♪ Nothin' but bluebirds all day long.

♪ ♪ Never saw the sun shinin' so bright.

♪ ♪ Never saw things goin' so right.

♪ ♪ Noticing the days hurrying by.

♪ ♪ When you're in love, my how time flies.

♪ ♪ Blue skies smilin' at me.

♪ ♪ Nothin' but blue skies do I see.

♪ ♪ Bluebirds singin' a song.

♪ ♪ Nothin' but bluebirds all day long.

♪ ♪♪♪ ♪♪♪ ♪ I never saw the sun shinin' so bright.

♪ ♪ Never saw things goin' so right.

♪ ♪ Noticing the days hurrying by.

♪ ♪ When you're in love, my how time flies.

♪ ♪ Blue skies smilin' at me.

♪ ♪ Nothin' but blue skies do I see.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Esclava soy, negra nací.

♪ ♪ Esclava soy, negra nací.

♪ ♪ Negro es mi color, negra es mi suerte.

♪ ♪ Negro es mi color, seré negra para siempre.

♪ ♪ Esclava soy, negra nací.

♪ ♪ Esclava soy, negra nací.

♪ ♪ Negro es mi color, negra es mi suerte.

♪ ♪ Pero ese color, seré negra ♪ ♪ para siempre.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience applauding] [cheering] Shae: Our stories as women are really important to the genre.

And in one way I hope that musicians are in the audience, and women mariachis are in the audience, and they go home and they're like: Wow, they did this.

I can write a song for us, you know.

And more women start contributing to the genre and our stories kind of hopefully bubble to the top one day after we start amassing and putting in all of our lyrics about our stories.

Shae: Thank you so much.

We have one more song for you tonight.

It's for all the mezcal lovers, cumbia lovers.

It's called Besos de Mezcal.

And we invite you to sing with us.

We're gonna practice here, and you'll have a little vocal rehearsal.

Goes like this: ♪ Besos de Mezcal.

♪ ♪ Besos de Mezcal.

♪ ♪ Besos de Mezcal.

♪ ♪ Besos de Mezcal.

♪ Very nice, let's do it one more time.

♪ Besos de Mezcal.

♪ ♪ Besos de Mezcal.

♪ ♪ Besos de Mezcal.

♪ ♪ Besos de Mezcal.

♪ Ah you're ready.

Here we go.

One, two, three.

♪♪♪ ♪♪♪ ♪♪♪ ♪ Me llaman la mezcalera, ♪ ♪ porque canto la noche entera.

♪ ♪ Embrujando a los callejeros, ♪ ♪ hasta el amanecer.

♪ ♪ Yo sigo, sigo bailando ♪ ♪ con los espíritus amados.

♪ ♪ Te juro por mil agaves, ♪ ♪ que mi amor está en el mundo.

♪ ♪ Besos de mezcal, ♪ ♪ se me sube la mezcalina.

♪ ♪ Besos de mezcal, ♪ ♪ enciende mi adrenalina.

♪ ♪ Besos de mezcal, ♪ ♪ se me sube la mezcalina.

♪ ♪ Besos de mezcal, ♪ ♪ enciende mi adrenalina.

♪ ♪ Hay un solo tipo de beso, ♪ ♪ que desata mis secretos.

♪ ♪ Si tú te atreves a acercarte, ♪ ♪ te delato ese misterio.

♪ ♪ Con un sólo beso vas a llegar ♪ ♪ hasta el fin del universo.

♪ ♪ Y nunca, nunca te olvidarás, ♪ ♪ del cariño que te tengo.

♪ ♪ Besos de mezcal, ♪ ♪ se me sube la mezcalina.

♪ ♪ Besos de mezcal, enciende mi adrenalina.

♪ ♪ Besos de mezcal, se me sube la mezcalina.

♪ ♪ Besos de mezcal, enciende mi adrenalina.

♪ ♪♪♪ ♪♪♪ ♪ Tiki tiki ta ta.

♪ ♪ Juega con mi amor ♪ ♪ Provoca el Tiki Tiki, curioso, seductor.

♪ ♪ Besos de mezcal, juega con mi amor ♪ ♪ Dame un beso reposado ♪ ♪ pa' que entremos en calor.

♪ Mireya: A ver, La Jolla, we're gonna try this real quick.

But we gotta shake our shoulders and it goes like this.

Here we go.

One, two, three.

♪ Tiki tiki tiki ta ta.

♪ ♪ Tiki tiki tiki ta ta.

♪ ♪ Tiki tiki tiki ta ta.

♪ ♪ Tiki tiki tiki ta ta.

♪ Otra vez.

♪ Tiki tiki tiki ta ta.

♪ ♪ Tiki tiki tiki ta ta.

♪ ♪ Tiki tiki tiki ta ta.

♪ ♪ Tiki tiki tiki ta ta.

♪ Keep it going.

♪ Tiki tiki tiki ta ta.

♪ ♪ Besos de mezcal.

Juega con mi amor.

♪ ♪ Provoca el Tiki Tiki, curioso, seductor.

♪ ♪ Besos de mezcal.

♪ ♪ Juega con mi amor.

♪ ♪ Dame un beso reposado ♪ ♪ pa' que entremos en calor.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Besos de mezcal.

♪ ♪ Se me sube la mezcalina.

♪ ♪ Besos de mezcal.

♪ ♪ Enciende mi adrenalina.

♪ ♪ Besos de mezcal.

♪ ♪ Se me sube la mezcalina.

♪ ♪ Besos de mezcal.

♪ ♪ Enciende mi adrenalina.

♪ ♪♪♪ ♪♪♪ ♪♪♪ Mireya: Muchísimas gracias.

Thank you so much.

We love you.

We're Flor de Toloache.

♪♪♪ [audience applauding] [cheering] ♪♪♪ Audience: otra, otra, otra, otra, otra--.

♪♪♪ ♪ Quien diría ♪ ♪ que en ti encontraría ♪ ♪ tanta crueldad.

♪